
It is time.
It is time. Time to make a few changes to the interior
of our church. One change comes from normal wear and tear: the carpet in
the church is 30 years old and is more than showing its age. Another change
is required by new universal standards put in place by the Vatican for all
churches. The Pastoral Council with the assistance of the Liturgy Committee,
the original architect, liturgical advisors and artists have put together
some ideas of how we can respond to these new standards being required for
church structures.
Source and Summit Brochure

Fr. Damian Zuerlein's Letter
Fr. Damian Zuerlein's Homily (11/13/11)
Feedback & Questions (11/20/11),
(12/11/11)
Status Progress Chart (11/28/11)
Progress as of 11/28/2011
$ 168,233 Prior Donations/Memorials
$ _95,659 Pledges Received
$ 486,035 Pledges
$ 650,268 Total
Source & Summit Prayer (11/30/11)
Status Progress Chart (12/18/11)
Progress as of 12/09/2011
$ 167,733 Prior Donations/Memorials
$ 140,615 Pledges Received
$ 605,010 Pledges
$ 772,744 Total
Status Progress Chart (01/08/12)

Progress as of 12/29/2012
$ 176,778 Prior Donations/Memorials
$ 244,774 Pledges Received
$ 894,557 Pledges
$ 1,071,335 Total
Status Progress Chart (01/29/12)

Progress as of 01/21/12
$ 194,530 Prior Donations/Memorials
$ 320.090 Pledges Received
$ 1,014,680 Pledges
$ 1,209,213 Total
Status Progress Chart (02/26/12)

Progress as of 02/18/12
$ 201,684 Prior Donations/Memorials
$ 348,079 Pledges Received
$ 1,081,065 Pledges
$ 1,282,750 Total
Source and Summit Update (04/08/12)
Our original plan had been to avoid hiring a contractor because we
didn't plan on building a new chapel. But, due to everyone's generosity,
we are doing both. The Pastoral Council has approved hiring Boyd Jones
Construction for our remodel. On June 25, they will start to work on
reinforcing the altar area and installing new tile. They will need to be
done in time for a wedding on Saturday July 21. During the three
weekends in-between, we will be holding Mass in the Social Level of the
church.
The pews in our church are held in place by bolts, which are secured in
concrete. To install carpet, all of the pews will need to be unscrewed
and removed, then the carpet will be laid over the floor and the pews
returned into position. We may be asking some of you for help in this
process. If everything goes smoothly, the carpet could be put down at
the same time as the tile. But, if there are any delays, this may need
to be done during the week after July 23.
Before June 25th, when the platform and tile work is done, we want to
install fourteen new stained glass windows. Seven stained glass windows
on the north side of the clerestory will depict images from the Life and
Ministry of Jesus. Seven stained glass windows on the south side of the
clerestory will depict images reminding us of what it means to be a
disciple of Jesus. The Pastoral Council has approved the images for the
north side and is discussing the images for the south side.
  
Designs for the new altar and ambo are being considered. John Lajba, who
created the Road to Omaha Sculpture, has agreed to make our crucifix but
will not have a chance to show a preliminary design until at least June.
We'll share plans for the chapel next week.
Gifts and pledges continue to come in for our campaign. As we have often
stated, we will not spend beyond what has been given or pledged in this
campaign. If the gifts continue to accumulate, we will install an
elevator as well. We appreciate how many of you have given so generously
towards this work to remodel our church.
Information as of 04/08/12
Click on the headings below to expand the description...
Background
In 2002, Pope John Paul II promulgated a new instruction on the Roman
Missal. This is the document that guides the universal church in its celebration
of Mass. Following the Second Vatican Council, there was a period of time
where the Church allowed for “experimentation” in liturgical settings as
we strove to make the adjustments to the liturgy as taught by the Council.
In promulgating the new instruction on the Roman Missal, the Holy Father
was saying that the time of experimentation has drawn to a close and some
standards were now to be applied universally. Since our church was designed
during that period of “experimentation” or “testing,” we will need to make
a few changes to meet the new standards. These are the changes below:
Phase I
Altar
The new instruction offers us the following:
 “It is appropriate to
have a fixed altar in every church, since it more clearly and permanently
signifies Christ Jesus, the living stone… The altar should be built
apart from the wall, in such a way that it is possible to walk around
it easily and that Mass can be celebrated at it facing the people, which
is desirable wherever possible. The altar should, moreover, be so placed
as to be truly the center toward which the attention of the whole congregation
of the faithful naturally turns… In keeping with the Church's traditional
practice and the altar's symbolism, the table of a fixed altar is to
be of stone and indeed of natural stone. In the dioceses of the United
States of America, however, wood which is worthy, solid, and well-crafted
may be used, provided that the altar is structurally immobile. The supports
or base for upholding the table, however, may be made of any sort of
material, provided it is worthy and solid.”
Therefore, the Pastoral
Council is considering an altar made of granite which would sit in the
center of the sanctuary. The altar could continue the Celtic tradition
of “curves and knots” by being oval or circular in shape. Cost:
$30,000.00
Ambo
This is often referred to as a “podium” and is the location of the
readings from scripture. The new instruction offers us the following:
 “The
dignity of the word of God requires that the church have a place that is
suitable for the proclamation of the word and toward which the attention
of the whole congregation of the faithful naturally turns during the Liturgy
of the Word. It is appropriate that this place be ordinarily a stationary
ambo and not simply a movable lectern. The ambo must be located in keeping
with the design of each church in such a way that the ordained ministers
and lectors may be clearly seen and heard by the faithful.”
Therefore the
Pastoral Council is considering an ambo made of granite to match the altar.
Cost: $29,000.00
Crucifix
The new instruction offers the following:
“There is also to
be a cross, with the figure of Christ crucified upon it, either on the altar
or near it, where it is clearly visible to the assembled congregation. It
is appropriate that such a cross, which calls to mind for the faithful the
saving Passion of the Lord, remain near the altar even outside of liturgical
celebrations.”
Presently, the church has an image of the Risen Christ near
the altar. That image has been in the church from the beginning and is be-loved
by many parishioners. It is the desire of the Pastoral Council to keep the
image in the church, if possible, while at the same time incorporating a
new crucifix near the altar. The Council had numerous meetings with a local
artist, John Labaj, and with the architect for the church building. They
concluded that the best possible solution was to place the Risen Christ
above the alcove where the choir sings and put a new crucifix with an artistic
design similar to the Risen Christ in the center. New crucifix with inlaid
wood background. Cost: $70,000.00
Choosing to keep the Risen Christ and placing it above the choir area
requires, for the sake of balance, a new piece of art be placed above the
al-cove where the tabernacle will be placed. An early suggestion had been
that this piece of art represent a moment in the life of Jesus connected
to the Eucharist, such as the multiplication of the loaves and fishes. One
such suggested image from John Labaj are pictured below left. Three-piece
work of the multiplication of the loaves and fishes. Cost: $70,000.00
Tabernacle
The new instruction offers us the following:
“In accordance with the
structure of each church and legitimate local customs, the Most Blessed
Sacrament should be reserved in a tabernacle in a part of the church that
is truly noble, prominent, readily visible, beautifully decorated, and suitable
for prayer. The one tabernacle should be immovable, be made of solid and
inviolable material that is not transparent, and be locked in such a way
that the danger of profanation is prevented to the greatest extent possible…
it is preferable that the tabernacle be located, according to the judgment
of the Diocesan Bishop,
A) Either in the sanctuary, apart from the altar
of celebration, in a form and place more appropriate, not excluding on an
old altar no longer used for celebration.
B) Or even in some chapel suitable
for the faithful's private adoration and prayer and which is organically
connected to the church and readily visible to the Christian faithful.”
The Pastoral Council prefers to have a separate chapel for the reservation
of the Eucharist. How-ever, since the present placement of the chapel makes
it difficult for the tabernacle to be easily seen in the main body of the
church, the best solution appears to be placing the tabernacle in the alcove
to the north of the altar area. The stand on which the tabernacle is to
be placed should match the stone of the altar and ambo. Cost: $12,000.00.
The hope is to construct a small Eucharistic chapel during the second phase
of the campaign on the east side of the church with the tabernacle being
visible from both sides.
Flooring
The carpet that is presently in the church was installed at the time
the church was built in 1981. It has graciously served the parish and is
in need of replacement. Present standards for churches generally encourage
the use of stone or tile in churches to increase the dignity of the space
and to add to the sense of permanence. However, the use of stone or tile
throughout the liturgical space could make the building noisy.
Therefore,
the Pastoral Council is suggesting the use of tile in the sanctuary area
and in some of the aisles. Carpeting would be placed under the pews and
in the non-tiled aisles to make it quieter. The present wooden platform
which supports the sanctuary area would be replaced with a concrete platform
to support the new altar and ambo. Estimated Cost: $321,027.00
Stained Glass Windows
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The clerestory band at St. Columbkille Church consists of
twenty identical oblong openings. A strong horizontal matrix of a green Celtic knot-work unites
the windows visually and expresses the idea of the interwoven
nature of the many aspects of Catholic spirituality which are
expressed by unique center elements in each of the windows. The
windows become symbolically a type of rosary; the mysteries of
the spiritual life linked together and leading to deeper
realities.
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St. Columbkille was a writer of poetry and songs. He and his
monks spent much of their day making copies of the sacred
scriptures and other holy writings by hand prior to the
invention of the printing press. St. Columbkille is also noted
as being one of the first copyright cases in history, though the
case did not go his way after he had copied a favorite psalter
to take with him.
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In most churches you can presume a dove represents
the Holy Spirit, but not here. Columb means "dove" in
Gaelic and kille is "church," so he came to be known as
the "church’s dove." So this window is a reference to
St. Columbkille, our parish’s patron saint. Here he
holds an olive branch in his mouth just like the dove
that returned to Noah with the promise of hope.
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The windows depicting wheat and grapes are strategically
placed directly above the altar. The Eucharist, which they
become, is often referred to as the Source and Summit of our
faith. Just as the grains of wheat and the grapes are assembled
to form bread and wine, we are also assembled to be a community
of faith. Then as these gifts of bread and wine are brought
forward to become the Body and Blood of Christ, we offer
ourselves to be transformed by God as well.
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In Mass the priest says "Behold the Lamb of God,
behold him who takes away the sins of the world. Blessed
are those called to the supper of the Lamb" in echo of
the words of John the Baptist for Jesus. Here the lamb
is poised on a book with the seven seals imagery from
the Book of Revelation — "Worthy is the lamb who was
slain."
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In 563, at the age of 42, Columbkille left Ireland
with twelve companions and landed on an island now known
as Iona. Here he began his work; and, Iona became a
center of Christian learning. It became the heart of
Celtic Christianity and a potent factor in the
conversion of the Picts, Scots, and Northern English.
Monks from the monasteries established by Columbkille
would later travel to mainland Europe and Christianize
the Frank and Germanic tribes.
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In the original design of the church, stained glass
windows were to be placed in the windows at the top of the east wall of
the sanctuary. Adding these stained glass windows would complete the sacred
environment and help parishioners feel like they were in the presence of
the sacred when they are in the church rather than in any common secular
space. They would also add to the beauty of the church.
The Pastoral Council
has invited designs from the Willet Hauser Company incorporating themes
of the life of St. Columbkille and themes from the core beliefs of Christianity.
The windows would be placed on the inside of the church, with the existing
external windows providing protection from the elements. Estimated
Cost: $7,000.00 per window; 20 windows; Total Estimated Cost: $140,000.00
Phase II
Chapel
The church structure has, at present, a chapel for Eucharistic
reservation available for private prayer and adoration. By moving the tabernacle
to the alcove north of the altar area, this option for private prayer before
the tabernacle will be lost and adoration would have to take place in the
main body of the church.
One option would be to build a chapel on the east
side of the church with the tabernacle being accessible from both the chapel
and the church. It is hoped that some of the stained glass windows from
the old church could be used in the building of such a chapel.
Cost for
this chapel would depend on size; beginning at $300,000.00.
(added from Weekly Bulletin; Jan. 29, 2012)
We asked our architect, Gary Bowen at BVH, to give us
some
preliminary ideas and costs for a chapel. Last week, the Pastoral
Council looked at some of his ideas and estimated costs. We are
carefully moving forward with one of those ideas. That idea is to move
the tabernacle forward a bit from the earlier plan so that it would sit
even with the back wall of the sanctuary. It would be mounted in a wall
of glass with the tabernacle visible from the church side and the chapel
side. The glass would be etched with an artwork, such as images of
saints or angels adoring God’s presence in the Eucharist. The present
east wall, which would be behind the tabernacle, would be removed and a
new east wall would be constructed even with the present east wall of
the work sacristy.
(added from Weekly Bulletin; Feb 26, 2012)
We have hit another goal, so the Pastoral Council has approved hiring a
contractor to build a chapel of reservation. The chapel and the church
will be separated by a wall of glass with the tabernacle in the center.
The primary purpose is for Eucharistic Adoration. It will create enough
space for 15-20 people to pray together. The new exterior wall of the
chapel could incorporate stained glass from the old church.
Photos of a model of the idea can be seen on the back
of the
Jan. 29th
bulletin
and the Feb. 26th
bulletin.
Stained glass windows from the old church would be integrated into
the new east wall of the chapel. This new chapel of reservation could
have seating for 15 to 20 persons. The architect suggested that the
glass wall of etched art with the chapel behind it and lit by sunlight
coming through the stained glass would create a mystical aura around the
tabernacle. With artwork being included for the wall around the
tabernacle, there would no longer be the need to have another piece of
art on the brick wall above the tabernacle.
Balcony

The new placement of the tabernacle will result in a loss of
seating for about 30 people. One proposal to compensate for the loss of
seating would be to build a balcony above the main entry doors running from
the outer wall of the cry room to the outer wall of the confessional. This
would entail a second stairwell to the balcony and would add seating for
more than 100 persons. Cost for this proposal is unknown at this time.
Completion Plan
Order of completion as funds become available:
The first group of items to be completed would be those in the sanctuary
space: altar, ambo, tabernacle and crucifix. This group would include the
new platform and flooring for the sanctuary area.
The second group of items would be the tiling and carpeting of the floor
in the main body of the church.
The third group would include the remainder of the stained glass windows
and the art piece above the tabernacle area.
Phase II would begin with the design and construction of a Eucharistic Chapel
of Reservation.
The balcony would be the final piece to be constructed if
parking limitations and other parish issues have been resolved.
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